You always want to throw a lot into the design work. It was definitely a conscious choice, and it was a choice that evolved out of a lot of design work. How did you come to that decision, and how much do you know about what his character’s face looks like under there? The movie ends with the face of one of filmdom’s most handsome leading men covered. … Your brain hopefully succumbs to the illusion. What you are seeing is predominately all practical. You get real actors, and what we did was skinny them down in CG and remove their hands and heads, and replace those with skeleton hands and heads. As a methodology, the idea was, we’re always going to put people in the frame, because the human eye cannot be tricked by CG when it comes to that kind of movement, but it can be tricked if the bulk of what you are seeing is real. We worked with an amazing group of dancers for about six months to develop the look and feel of the zombies.

There was a lot in environment around them that you couldn’t tell was CG, and that’s because where your eye goes is to the real people in the frame. There were limitations for what we could actually build there, and there certain things that were practically possible. A fair amount of the environment of the set is CG. … The sheer claustrophobia of it, the long, long takes where you are just watching them swimming toward him, I thought would be incredibly uncomfortable. Several things: Our approach in general was to shoot as much practically as we could, and use CG to augment that reality. The underwater scene looked particularly challenging to accomplish.

Brorsoft video converter reviews